Tuesday, 12 February 2019

The Banker's Niece 18: Lethal weapon

New Year’s Day 1980

Jane stirred the mince that was browning in the frying-pan. The smell turned her stomach and she wondered not for the first time whether she should look into becoming vegetarian. Perhaps that would help her mysterious ‘heads’.
    She could hear bangings and crashings in the barn underneath the flat where Rick kept the Mini and his motorbike. He’d bought this in the summer so that he and Jane had independent transport. With all his comings and goings it had become impossible for her to rely on him to give her lifts to and from work and he became resentful when she tried to pin him down. She was surprised he allowed her to drive the Mini, but needs must she supposed.
    She hated to think what he was doing to the vehicles. He’d been down there all day, not even reappearing to grab his usual lunchtime cheese sandwich or make himself one of the many cups of tea that punctuated his days. She kept tensing, thinking she heard his feet thudding on the outdoor steps, and then relaxing when the noise turned out to be nothing more than the wood creaking in the breeze.
    Only one more evening to get through and then she would be back at her job and Rick would vanish into his packed programme of work, rehearsals and gigs.
   
Except for the Saturday before Christmas when Minotaur had a concert in Bristol and they all stayed overnight with a friend of Dougie’s, and Christmas itself which she and Rick had spent with their respective parents, the two of them had passed the entire holiday period together. Jane could hardly remember when they’d last had such a long time alone with each other. Christmas the year before probably and that hadn’t been great either, now she thought about it.
    It wasn’t a deliberate choice but both the university where Rick worked and the publisher where Jane worked had shut down for the festive period and they didn’t realise what this would mean until it was too late.
    Rick’s working life had of course been transformed by this new postgraduate, Chris. Unlike the other – male – academics, he said, she treated him as a human being. Instead of barking out orders from the door and then complaining, she had apparently come right into his workshop, stepping over all the pieces of equipment-in-transit (of which there were many), introduced herself, explained about her work and then with great deference asked if he might have time to help her. He’d spent most of the summer, it seemed, driving her around the coast and helping her take samples of seawater.
    Jane had met her once when she descended to Rick’s workshop herself, something she’d done often when she was working odd hours as a waitress but couldn’t do once she’d started her proper job in January, except on the occasional day off. Rick and Chris had been drinking tea together, sitting on high stools. Both had jumped up when she appeared and fallen over each other to make her a cup of tea too. The atmosphere was slightly strange but she put it down to Rick’s natural guilty conscience as Chris wasn’t pretty at all. She was tiny and very thin with short spiky hair. She looked more like a boy than a girl.

Jane lifted the frying-pan off the heat and tipped the mince into a large heavy saucepan. Then she took some onions, carrots and celery from the fridge and a knife from the drawer.
    It was getting dark. The sun was disappearing behind the folds of the hills in an orange glow. The sheep in the field below the window were still bleating lustily however, still nibbling at the grass. Did they ever stop? How on earth did they keep warm in the long cold winter nights?
    The banging down below had stopped and she noticed for the first time the faint strains of music from the transistor radio that Rick took with him everywhere. So he must still be there, but what was he doing?
    Was he holding his breath like her, trying to work out what she was doing?

She’d fallen into her job almost by accident. She’d written to all sorts of companies fifteen months earlier when looking for a proper job, and attended several interviews, but Peninsula Books was the only place that offered her a position.
    ‘It’s your secretarial experience that sets you apart,’ said Graham, the Editorial Manager, leaning back in his chair and patting his large stomach. ‘Lots of our girls can’t type and of course, when you’re dealing with manuscripts and authors, typing looks so much more professional.’
    Jane didn’t see any typewriter on Graham’s desk, nor any sign of manuscripts or letters to authors. In fact, there wasn’t much on his desk at all. She wondered what he did.
    The mention of typing upset her. She’d had enough of that in London. Had she really spent three years at university, only to be relegated to typing again?
    ‘Do you do fiction?’ she asked to cheer herself up.
    She’d discovered the company in the Yellow Pages under ‘Publishers’ but didn’t know anything about them until she picked up their catalogue in reception as she waited for Graham (who was half an hour late). All she could find in the catalogue was dull non-fiction books – political biographies, manuals about car repair and carpentry, cricket facts, guides to buying wine.
    Graham flushed. ‘No.’
    ‘Never mind,’ said Jane, hastily backtracking. What had she said wrong?
    ‘All you girls want to work in fiction,’ he snapped.
    In spite of Graham and the subject matter of the books, the job turned out all right. It suited her skills, both her photographic memory for spellings and her degree in French and Spanish which meant she knew about grammar and the precise meanings of words. People began to praise her, which made a pleasant change.
    But the best part of the job was Alison with whom she shared an office. Alison was three years older than Jane (being twenty-seven) and much wiser and such a good listener.
   
Jane chopped the vegetables and put them into the frying-pan to brown.

At least her latest ‘head’ had gone, the one that had come on after the visit to her parents - alone as always, but what else could she do? Well, she called the attacks ‘heads’, but the piercing pain in her right temple was the least of the problems. What she hated even more was the vomiting.
    If only humans could be like dogs. They just opened their mouths and out it came. But perhaps they didn’t like the sensation either. She remembered Bunty, her parents’ gardener’s dog. She used to walk around with her back arched like a hyena for several minutes before settling down to a good retch. And then, so as to avoid all that tedious clearing up, she consumed the results. So clever.
    At first, about twelve months ago when the attacks started, she’d thought they were hangovers and expected each one to be the last, so long as she was careful. But now she didn’t, and they were making her depressed. Alison thought they might be migraines.
   
Jane tipped the browned vegetables out of the frying-pan and into the saucepan with the mince, adding two tins of tomatoes and two beef stock cubes and leaving the mixture to simmer.
    That was suppers for the week sorted. Vats of mixtures were what she did these days, now that she and Rick didn’t eat together. Each could heat up as much as they wanted when they wanted, adding potatoes, pasta or bread depending on how much time they had.

The music stopped and a footstep thudded on the outdoor steps. He was definitely coming up.
    Quickly, she slid the knife under a tea-towel – or ‘drying-up towel’ as her mother would call it. It would never do to leave a lethal weapon on show. The imprints of Rick’s fist on the wall above their bed and the shards of glass on the floor where Jane threw her water-tumblers were warning enough of that.


Tuesday, 5 February 2019

The Banker's Niece 17: The concert

June 1979

You sit in the front with Dougie,’ said Rick.
    ‘No, no, it’s OK,’ said Jane. ‘I’ll be fine.’
    Actually, she wouldn’t. She hated squashing in the back of the van. It made her travel-sick, there were no seats so she had to sit on the floor which was awkward if she was wearing a skirt, she couldn’t see out as there were no windows, all the band’s equipment – their ‘gear’ as they called it – had sharp edges that dug into her, and every time the van went round a corner she slid into Johno and Steve, both of whom looked at her as if it was her fault.
    But she was there under sufferance, and she didn’t want to make things worse by taking Rick’s place in the passenger seat. He was the leader after all. He couldn’t slum it in the back.
    And she’d thought that attending the concert was such a good idea when she woke up that morning. It was the band’s biggest yet, part of an end-of-year, end-of-exams celebration at the university, and she hadn’t been to one of their concerts for months.

She had tried to be involved with the band, really she had.
    Right at the very start, back in January, it was she who’d come up with the band’s name. It was Saturday and the ‘boys’, as she called them, had all ended up in the flat for a cup of tea after their first rehearsal in one of the farm’s unused barns.
    She’d just started her new job as Editorial Trainee at a local publisher and was working on a book of Greek myths. The name Minotaur had popped into her mind and she couldn’t resist blurting it out, even though she’d played no part in the conversation up until then and was meeting Johno and Steve for the first time so had no idea what would appeal to them.
    Rick nodded sagely, which meant either that he was thinking over her suggestion or that he was desperately trying to remember what ‘Minotaur’ meant.
    Steve, the bass guitarist, who was only seventeen, looked blank.
    ‘Hmm,’ said Johno, keyboards and harmony vocals, who was ‘classically trained’ according to Rick and worked as a music teacher. ‘It might fit in with the band’s ethos.’
    ‘And then,’ said Jane excitedly, ‘you could call your first album “Ariadne’s thread”.’
    That was obviously a step too far. The boys stared into their mugs of tea and went back to talking about ‘chord progressions’ and ‘bridges’ and ‘hooks’.
    So when she had the idea for Rick’s stage surname, his real surname ‘Beer’ being liable to misinterpretation as well as too Devonian and too prosaic, she saved it up for when she and Rick were alone together and awake, which wasn’t often.
    ‘Rockford,’ she said, ‘like Jim Rockford in the Rockford Files.’
    It was mostly Jane who watched the programme as Rick was nearly always out in the evenings, but she knew Rick had seen it once or twice and enjoyed it.
    ‘It sounds so good with your first name and the “Rock” bit fits in with the band’s ethos.’
    ‘No it doesn’t,’ snapped Rick. ‘We don’t have an ethos. Music’s music. I hate categories.’
    Jane dropped the subject. She didn’t want to set off a rant, ‘categories’ being one of Rick’s bêtes noires. But she knew she was right.
    She’d been enthusiastic initially at the prospect of attending the band’s concerts or ‘gigs’ but they turned out to be in such seedy places and she had to sit on her own and men kept trying to pick her up. She always explained that she was ‘with the band’ but that simply made them leer all the more. She couldn’t stand it.
    She’d even gone to rehearsals to start with but that hadn’t lasted. The barn was filthy and freezing cold. The band never played anything through from beginning to end - they kept stopping, or playing the same bits over and over, or sticking in new bits they’d just invented. And they never asked her opinion or took any notice of her whatsoever. She might as well have not been there.
    But perhaps she hadn’t tried hard enough. Perhaps it was her fault she and Rick lived separate lives these days. Perhaps she should have another go.

‘I might come to the concert this evening,’ she'd said at breakfast as she ate her muesli at the table.
    Rick was tearing round the flat sorting out equipment, occasionally taking a slurp from a mug of tea in the kitchen.
    ‘Oh,’ he said, stopping dead. ‘No. That’s not a good idea. Not at all.’
    ‘Whyever not?’ She didn’t understand. She thought he’d be pleased.
    ‘The, um, the lads wouldn’t like it.’
    ‘But I would,’ she said in a small voice.

Dougie climbed into the back of the van and gave her a hand up.
    ‘Thanks,’ she said as she scrambled in.
    She’d known Dougie, Rick’s old schoolfriend, since the year before when he and Rick first had the idea for the band. He may not have been the best looking of the band members – to tell the truth, he was the only one of the band members who wasn’t good-looking, but then as drummer he was hidden at the back so it didn’t matter – but he was always kind to her. He noticed her at least.
    When not in use, the van lived in safety in his parents’ garden in a respectable area of  the city and he did all the driving. Jane was glad about that. She wouldn’t have trusted any of the others, least of all Rick.
    Dougie gave her a funny lopsided smile. She wondered if he’d been to the dentist.
    As she tried to make herself comfortable on the floor of the van, she could hear the boys talking in low voices outside.
    ‘Are you sure you’ve told her?’ asked Dougie.
    ‘Of course I have,’ said Rick irritably.
    ‘Well so long as she's not coming. We don’t want any trouble,’ said Johno in his pompous way.
    'No we don't,' said Steve, who always agreed with Johno.
    ‘Look,’ said Rick, sounding really cross. ‘It’s my business. It’s my life. It’s all under control.’
    Rick was cross all the time now. That was why she didn’t complain about him never being there. It was so much easier at home on her own. She wondered what it was he was supposed to have told her and what outing she was being excluded from.
    Dougie parked the van behind Exe House, the main university building, and the boys fell immediately into a well-ordered machine, hefting boxes out of the van and trundling them into the building. Jane didn’t bother offering to help; she suspected she wouldn't get an answer.
    Instead, she walked on her own round to the front, to the row of glass swing-doors that led to the examination halls and the official entrance to the Great Hall where the concert was to be held.
    Rick had asked her if she wanted to watch from ‘back stage’ but he sounded so grudging she’d declined the offer.
    ‘I’ll see and hear better from the front,’ she’d said.
    The evening sun bounced off the glass. Students strode about in shorts carrying tennis rackets and hockey sticks. She knew that if she looked hard enough at a certain spot on the horizon she’d be able to glimpse the sea.
    The university touted the campus, with its woods, lakes and shrubs, as one of the most beautiful in the country. People visited from all over. She however hadn’t been here since she finished her finals almost exactly a year earlier. She hadn’t wanted to return. She hadn’t wanted to be reminded of that time last summer.
    Not because of the exams, strangely, even though they’d required a monumental effort.
    Because of everything else.
    She supposed she did the right thing. What else could she have done to keep everyone happy? At least she and Rick were still together and at least she still saw her parents – on her own of course.
    It was just that . . . just that when she thought of her life these days all she saw was a grey cloud.
   
She sat on the floor against one of the side walls, nursing the plastic tumbler of warm white wine she’d bought from the bar. She knew the Hall well. She and Rick used to come here a lot to listen to bands. Except around the balcony there were never any chairs. Those near the stage danced and everyone else stood.
    People dribbled in and the air filled with smoke. Jane started to feel a little dizzy. She wasn’t a fan of cannabis. It reawakened things.
    Noise levels rose. There was a good crowd forming and she was glad for the band’s sake. She stood up and pushed her way to the stage. She didn’t know if she’d dance but she wanted to be in the vanguard.
   
At last, when her legs were starting to ache and she'd given up hope of ever seeing the band, the Hall lights went out and everyone stopped talking at once. The curtains drew back and the stage exploded with light, movement and sound. Rick was at the front – in purple bell-bottoms she didn’t recognise – singing and wielding his guitar like a machine-gun.
    Her throat locked. She didn’t know him. He didn’t belong to her any more. He was making love to every woman in the world. Every woman, that is, except her.


Tuesday, 29 January 2019

The Banker's Niece 16: Jane's New Life

How could I have been so stupid, she thinks as she puffs up the track. How could I have forgotten about contours?
    The path may have looked easy when she studied the map at home but now when she looks at it again she notices the sinuous, not to say sinister, brown lines covering the entire surface like a watercolour wash. What’s more, her path cuts across a series of ever-closer lines, which means – as far as she remembers – that the terrain will become even steeper.
    She stops to catch her breath and look around.
    It’s a wide path with high banks. Sun shines through the scrub along the top of the right bank, lighting up a tangle of ivy on her left and making the leaves gleam as if lacquered. Opposite, in shade, are tree roots coated in lime-green moss. She touches it. It’s as dense and real as Jasper’s fur. It makes her feel a bit peculiar. She has a mad idea that the moss is conscious.
    It's weird. In London, where everything important is supposed to happen, you have to insulate yourself from your surroundings in order to survive. Here in the country, where it is supposed that nothing happens, your surroundings talk to you.
    She can hear Jasper crashing around at the top of the bank. He’s been racing up and down the track and up and down the banks, dislodging rubble and startling Jane out of her reveries. She has a sneaking suspicion he's teasing her. So much for him being unfit.
     Her t-shirt is damp with sweat so she takes off her waterproof and tries to stuff it into her backpack. However, as the pack already contains her discarded fleece, a woolly hat, a scarf, gloves, a waterbottle, her purse and her phone, she gives up and ties the waterproof round her waist. She didn’t believe locals when they boasted that in Devon you could experience four seasons in one day so she’s come prepared for three only. She neglected summer. It is February, after all.
   
At last she reaches the top of the track and emerges from between the hedgebanks to find herself walking along a high ridge between stony fields filled with sheep. They stare at Jasper with suspicion so she gets the lead out and clips it to his collar. She wonders if the sheep know that makes him safe. She hopes so as she wouldn’t like to upset them. Isn’t it around now that they start producing lambs? Or have things changed in the four decades since she last had close contact with the countryside?
    The sky has clouded over. Up here, exposed, there's a wind. It buffets her hair and flattens her damp t-shirt to her chest. Back to autumn. With one foot on the lead, she puts her waterproof on again and retrieves her hat, gloves and scarf.
    She sets off once more, striding purposefully. How nice it is to use her body instead of being hunched over a desk or slumped on the sofa. Jasper is a bit of a nuisance though, tugging at his lead. The sooner she can let him off, the better.
    Far away on the horizon on either side of the ridge she can see big brown hills. Could these be Exmoor and Dartmoor? The back of her neck prickles. Exploring the moors was definitely on her list of Things to do When She Moved to the Country but, now that she sees them, she’s not so sure. They look ancient and fierce, like sleeping dinosaurs. She doesn't feel equipped either mentally or physically to deal with them. She doesn’t want to end up lost in the Wild Wood like foolish Mole in The Wind in the Willows*. Who would rescue her?
    She thinks about some of the other items on her list, like learning yoga, catching up on reading, and getting involved with the community (whatever that means). What with all the hoo-ha of moving, she's put them out of her mind and, coming back to them, they seem rather tame. They’re what the old Jane would have done, and she wants to be completely new.
    Looking at the wide open spaces all around her, she wonders about paragliding, being an artist, running naked.
    Now she’s just being silly.

Before long, the path starts to slope again, down this time, and instead of a high hedge on her right there is only a fence. Far below, cupped in the hills, is a village. Muddicombe, she hopes. She can see a grey-stone church tower and rows of white houses. She can hear a hubbub of children’s voices. They must be outside enjoying the good weather.
    A shaft of sun shoots out from a gap in the clouds and floods the village in light. For a moment, Jane thinks it’s God pointing a finger, showing her the way to go. ‘Everything is a sign,’ says Sharon’s voice in her head. Well, Sharon says a lot of things and Jane doesn’t necessarily believe them. Nevertheless, she unclips Jasper from his lead and the two of them half-walk, half-run down the slippery path.
    Since saying goodbye to William earlier in the morning she’s not met a single soul. For the first time since moving she’s been ‘enjoying the peace of the country’ – another item on her list. It’s not been at all what she expected. She thought it would either be scary or that it would lull her. On the contrary, even though nothing has happened, it’s been exciting. It’s woken her up.
    She’s ready now to move on. Today is the real start of her New Life in the Country. So much for Sharon’s dire warnings about catastrophe (The Tower) and ghosts from her past (the Prince of Wands). Even though the tarot cards are still vivid in her mind, she knows that only good things await her below.

She stands outside Muddicombe village shop, confused. She’s lost her focus. The world has turned ordinary again. Garish posters advertising special offers adorn the shop windows. The square is chock-a-block with cars and it smells of them too.
    She doesn’t know what to do. She’s not ready to walk back: she’s not even sure she could. Perhaps she should she go to the Merry Harriers and have some lunch, but would they take Jasper and does she really want to sit there on her own like a lemon? Anyway, she’s not hungry. The walk has dampened her appetite.
    Chocolate, she thinks. When in doubt, chocolate. She always has room for chocolate and she certainly deserves it after all that climbing.
    Leaving Jasper attached by his lead to a convenient hook in the wall, she pushes open the shop door.
    She’s been into the shop before. She often drops in  after work to pick up nibbles for William's visit. Although the butcher with its trays of raw meat takes up half the premises, she has to her surprise found guacamole, hummus and olives hidden in the fridges as well as delicious oatcakes and sesame-studded biscuits on a gourmet shelf.
    The shop has always been full of people. Customers have been loading up their baskets and the assistants busy dealing with the queues at the tills. She’s been able to disappear into the background. She hasn't had to engage with anyone.
    Today, the shop is empty. Three large women assistants stand behind the counter. They stare at Jane, like the sheep staring at Jasper. She’s tries to smile, knowing straight away that’s the wrong thing to do. She should either stalk in as if she owned the place, or charm them all with her banter. The assistants ignore her.
     Jane hides behind the chocolate shelves. Stupid, stupid, stupid.
    She's too upset by her social inadequacy to concentrate on the chocolate, but what she has spotted with the unaccustomed emptiness of the shop is a rack of newspapers.
    And she knows that, whatever happens, she must not turn round to look at them. Broadsheets are all right but tabloids, like chat shows and all populist television, are poison for her. She forswore them many years ago.
    She turns round.
    It’s the picture that catches her attention first. Then the headline ‘The Rock crumbles’. Then she reads the small paragraph under the picture.
    A bullet of pain shoots from her right shoulder, up her neck and over her head, coming to rest with dreadful inevitability above her right eye.




*By Kenneth Grahame

Wednesday, 23 January 2019

The Banker's Niece 15: The walk

Jane wanders up the track she shares with William, her new green wellies on her feet and her new orange Ordnance Survey ‘Explorer 2 ½ inches to 1 mile’ map clasped in her hand.
    Today, for the first time in five months, she hopes to cross an item off the list of things she wanted to do when she ‘moved to the country’, as her London friends put it. She herself didn’t think of her move like that. She thought of it as ‘escaping from London’ but she compiled the list anyway, largely so that she had something to say when her friends asked how on earth she was going to amuse herself ‘in the back of beyond’. They were probably jealous.
    It’s the change in the weather that’s spurred her on.
    Except for a few golden days in September when she was able to sit outside in the evenings, it’s blown and deluged ever since she arrived. From October onwards, bar external conferences with tradespeople sorting out a stream of domestic glitches, she’s done nothing but alternate between car trips and being indoors. So much for living in the country. She could have been anywhere. Apart from her journey to work – but that’s another story.
    This morning however as soon as she drew back her bedroom curtains and opened the window she knew that something was different, and it wasn’t simply that the wind and rain had stopped. The light was whiter. The air smelt of the sea instead of rotting vegetation. A daffodil had burst into flower at the bottom of her garden.
    Now, as she walks, she notices that there are bird noises everywhere, including an insistent ‘cheep cheep’ which she’s never heard before, and she keeps catching glimpses of little feathered shapes darting in and out of the hedgerow.
    In her new wellies, she negotiates the track’s obstacles with confidence, squishing into cowpats and splashing through puddles. Soon you would hardly know the wellies were once green. They're plastered with Devon’s orange mud, some of which is unfortunately also jumping inside them. She holds on to a fence post and stands on one leg to empty each boot in turn. It doesn’t make much difference. Some bird cackles.
    She has William to thank for the boots. He gave her a lift ‘back along’ – a local phrase she has noticed and is trying to insert into her own lexicon – to the farm supplies centre. There, as well as wellies, she stocked up on other essentials of country living – a torch, humane mousetraps, a quilted gilet, draught-excluding snakes for the bottom of doors and special dirt-absorbing mats. She never realised how sheltered city-life was.
    The shop was a revelation too. Full of useful things like waterproof hats and thick socks, woodburning stoves, fencing, animal medicine and bulk food. She’ll be back, of that she has no doubt.
   
She finds William hosing down the milking parlour, the smart redbrick building she spotted last June when she first visited. Even though it’s a Saturday, he’s still working. He nearly always is.
    ‘Janey,’ he says, breaking into one of his smiles.
    Some days she could almost fall in love with him. Almost, but not quite.
    He turns off the tap and comes to stand next to her. She wishes he hadn’t. With the new freshness of the atmosphere, the cowshit on his overalls smells like vomit.
    ‘Lovely day, isn’t it,’ he says. ‘Almost spring-like.’
    So that’s what the difference is. Except during a heatwave or when it snowed, she never noticed the seasons in London. She’s forgotten what they’re like.
    ‘It is,’ she replies, unable to suppress her own smile.
    She’s still trying to play it cool, still unsure of William’s intentions, even though he drops in for drinks and nibbles several evenings a week. It suits them both. She learns about the area and he, she presumes, welcomes the human contact after a day on his own.
    He keeps trying to persuade her to accompany him to the Merry Harriers in the village but she thinks that might be a step too far. In any case, she can imagine the gossip. People have already started dropping hints about ‘the bird in the hand’ and how ‘you’re never too old’ etc etc. And she thought she’d got away from that, moving four hours’ drive from her mother.
    ‘Which is why’, she continues, ‘I need your help.’
    ‘Anything, you know that,’ he says.
    Something inside her gives a small tremor and she hastily suppresses it.
    ‘Well, two things,’ she says. ‘I’m thinking of going for a walk and wondered if I could borrow Jasper.’
    She wasn’t being quite honest when she blamed the weather for her lack of enterprise. She’s wanted to walk several times but never dared. She doesn’t remember ever being out in the countryside on her own and she doesn’t know what to expect. Is it safe? What about frisky cattle - fierce dogs - strange men? What if she gets lost, or falls and hurts herself?
    Then this morning, as she sat at the kitchen table in her dressing-gown downing her third espresso and looking longingly out of the window, the answer struck her like a message from God.
    She’s become very fond of Jasper over the months and has even made up a bed for him next to the kitchen radiator from an old pillow and towel so that he has somewhere to flop when he comes down with William – as he always does. He’s her sort of dog. He doesn’t bark or jump up or show his teeth. He’s a gentleman. He’s like a big warm teddy bear. She’ll be all right with him.
     ‘Of course,’ says William. ‘Walk him all you like. It’ll do the old boy good. Don’t get much time to take him out myself.’
    He unhooks a lead hanging on the wall. ‘Have this. You probably won’t need it but just in case.’
    ‘Thank you,’ she says, stuffing the lead into the pocket of her waterproof. ‘And the other thing –’
    She unfolded her map before she left home and then folded it again into a smallish square with Stockland, William’s farm, in the middle. She shows this now to William.
    ‘Do you have any suggestions as to where I should walk?’
    William trails a grimy index finger over the map, leaving a stain. Jane tries not to mind.
    ‘That’s a lovely footpath, bit steep but worth it for the view at the top. That field’ll be underwater at this time of year. I wouldn’t risk it. That wood’s very overgrown. You’ll have trouble getting through it. The route of that footpath has changed. That land belongs to old Dudley. He’s a sod. I wouldn’t go there if I were you . . .’
    Jane wishes she hadn’t asked. She decides to revert to her original plan which is to take a footpath that appears to head out of William’s farmyard straight for Muddicombe. The village is only a mile and half by car so it can’t be much further on foot. She should be able to manage that. And if she decides she doesn’t want to walk back she can ring Joe the Taxi who apparently lives nearby and who comes recommended by Lauren at work who knows or is related to everyone in the area.
    ‘Thank you,’ she says.
    She discovers Jasper snuffling through the undergrowth behind the ruined farm buildings. He gives the small jump with his front legs which is all he can manage by way of hello. He could definitely do with some exercise.
    There’s a yellow arrow on a post next to a battered metal gate leading into a field. That has to be the way. She unlatches the gate and Jasper shoots through, nose to the ground.
    William comes out of the milking parlour to see them off.
    ‘See you later,’ he calls.
    ‘I hope so,’ she says, as the gate slams behind her with an ominous clang.