Tuesday, 5 March 2019

The Banker's Niece 19: Jane has a bad day

Jane drums her fingers on Clio’s steering wheel. The road ahead of her is completely blocked by a small white pick-up and a vast black four-wheel-drive, parked side by side facing in opposite directions. The drivers, with their heads out of their windows, are deep in conversation. She’s been there for five minutes.
    Such behaviour is not unusual and when Jane first encountered it she found it quaint. She laughed about it with William over their evening drinks.
    ‘You realise that for many people who work in the countryside', he said, 'it’s the only social contact they have. Of course they’re going to take their time. And anyway it’s extremely rude to drive past somebody you know without stopping to talk to them.’
    Jane’s mind boggled not only at the isolation William’s words revealed but also that you might pass an acquaintance in a car in the middle of nowhere. How come, with all the people she knew in London – many hundreds probably if not thousands, she’d never once bumped into any of them by accident?
    ‘You should get out and introduce yourself,’ he said. ‘Join in. They probably know who you are already.’
    But she never has, and she certainly isn’t going to today.
    Rain is streaming down the car’s windscreen and wind is sending a hail of twigs on to its roof. Every so often an extra-strong gust shakes the vehicle like a dog who's making sure that the rabbit clamped in its teeth is properly dead.
    Both men look extremely dubious and as soon as she stopped she engaged the door locks. The one in the four-wheel-drive has long curly black hair and whenever he glances in Jane’s direction she gets the impression he’s laughing at her. All she can see of the one in the pick-up is the back of a bald pink head, rolls of neck fat and an arm bursting out of a red-checked shirt.
    Worst of all, it’s already ten to nine and if she doesn’t get a move on soon she’s going to be late for work again. No way does she want to encourage the conversation.
    She’s already encountered a flood which involved a long detour round unfamiliar lanes with only her new compass to guide her, and then she spent ten minutes crawling behind a vast brown and white horse and its vast female rider, her only amusement working out which bottom was bigger.
    What else is in store? Fallen trees? Hedge-cutting? Stray sheep? Cattle crossing? Bewildered rabbits refusing to get out of the way? She’s had them all at one time or another.
    Oh for those simple journeys to work in London. A twenty-minute walk if the weather was fine and a twenty-minute bus ride if it wasn’t. Totally predictable, totally anonymous, no animals of any kind.

She stops outside Henry’s office and checks her watch. Nine o’clock exactly. Phew. She’s managed to make it on time, even if on time wasn’t good enough for her father who served in the navy during the war. ‘If you’re not ten minutes early, you’re late,’ he used to say. Blow that. Why can’t he get out of her head?
    She’s run all the way from the carpark, waving a quick hello to Lauren in reception before taking the stairs two at a time. She hasn’t even stopped to leave her coat and bag in her office. She’s still panting as she pushes open the door.
    Sam is already there. She sits the opposite side of the pale oak table, her laptop open in front of her and a mug of coffee by her side. A brief interval of sun haloes her fluff of pink hair. She’s wearing a black polo-neck and black leather jacket, as ever making Jane feel dowdy even though she thought she looked quite chic first thing when she put on her navy cords and navy Shetland jumper.
    Henry has his back to her and is bending over some papers. He’s in butter-yellow moleskin trousers today, the exact same shade as his hair. She wonders if he chose them deliberately.
    The two of them appear to be sharing a joke.
    ‘Sorry I’m late,’ says Jane, as much to announce her presence as anything, seeing as neither of them has yet looked in her direction.
    ‘Oh for f--k’s sake,’ says Sam, raising her head a fraction. ‘She’s hardly through the door and already she’s apologising.’
    ‘Sorry,’ says Jane again before she can stop herself.
    Sam bursts into raucous laughter, opening her mouth so wide that Jane can see her rows of silver fillings.
    Jane pulls out a chair the near side of the table where she always sits. She may be the last in every time, but at least she gets the view.
    Henry, to one side of her, carries on shuffling papers.
    The offices take up the south-facing arm of Courtney Manor stables, with the editorial department on the first floor and everyone else underneath. Sam, Jane and the Editorial Manager squash into half the first floor while Henry has the other half. His plate-glass windows give on to a landscape that includes at least half of rural Devon and stretches all the way to the long curves of Dartmoor.
    Jane concentrates on the view in an effort to soothe her head. It was only yesterday, Tuesday, that she crawled out of her sick-bed, and even then she didn’t get dressed. She spent the day in her dressing-gown stuffing down food – scrambled eggs on toast, falafel and onion bhajis bought as nibbles for William, soup out of the freezer.
    The migraine, which started on Saturday in Muddicombe village shop at the end of her walk, turned out to be more vicious than any migraine she’s endured for years. It was like one from the old days, when she first began to suffer them, with both ‘upward vomit’ and ‘downward laxative’ as Chaucer so neatly put it. It’s amazing how these literary references return at appropriate times. Her old English teacher would be proud of her.
    Migraines are fickle things. They can vanish in a few hours or rumble on for days. From her current general yukkiness she fears this is one of the latter kind. She probably should have spent another day at home but she was worried about taking too much time off work as she doesn’t yet feel established. She supposes it’s the result of having a job that didn’t exist before. Not that it bothers Sam.
    It’s a pity she’s walked straight into one of the weekly meetings. She hoped to avoid this week’s as they’re supposed to take place on Mondays but unfortunately it was one of those times when Henry was ‘delayed’ in London. God knows what he gets up to there. He says he’s ‘networking’ – trawling for new authors, keeping up with publishing trends – but does he really need to do that now he’s employed her and Sam? It’s a bit annoying and she wonders how Mrs Henry (as she’s always known) puts up with it.
    ‘For f--k’s sake,’ says Sam again. ‘Take your coat off. Settle down. Let’s get on with this débâcle.’
    She pronounces the last word ‘debbackle’ and Jane wonders whether that’s deliberate. She sees Henry wince but it’s difficult to know which line Sam has stepped over this time. There are so many.
    ‘Excuse me,’ says Henry, straightening up at last. ‘I’m in charge.’
    She might have guessed. He lets Sam get away with homicide but some things are sacred: his family heritage, his three out-of-control wolfhounds and his authority.
    ‘No you’re not,’ says Sam. ‘You’re never here.’
    Too true, thinks Jane. Why couldn’t she have said that herself?

‘Roof leak gone?’ asks Lauren.
    Jane nods. She can’t speak at the moment, as migraines both interfere with her ability to process words and make her weepy, which is an awkward combination.
    ‘I knew Vinnie would sort you out,’ says Lauren, biting into a home-made white bread and ham sandwich. ‘He’s a good lad.’
    It’s lunchtime and they’re sitting under the eaves of the middle arm of the stables. Because the Manor is a long way from the nearest pub or shop, Henry has fitted the space out as a staff restroom, installing a kitchen at one end and furnishing the rest with low tables and armchairs.
    ‘How about that back door of yours?’ says Lauren, ripping the foil off a strawberry yoghurt. ‘Not sticking any longer?’
    Jane shakes her head. She’s clasping a packet of her own home-made sandwiches - tahini and cucumber in organic wholemeal spelt – but hasn’t managed to open it yet.
    ‘Excellent,’ nods Lauren. ‘Brad’s very busy so I’m glad he got out to you so quickly.’
    It was Jane’s domestic dramas that first drew the two of them together, in spite of Lauren being thirty-six years younger than Jane, eight inches shorter and three stone heavier.
    One morning Jane just happened to mention that there was an atrocious smell in her garden. She’d written it off as one of those inexplicable rural phenomena but Lauren interpreted it differently.
    ‘That’ll be your septic tank,’ she pronounced. ‘Probably needs emptying. I’ll get my cousin Nige out. He works for Shhhifters.’
    Jane had no idea she possessed a septic tank, let alone what they did. Come to think of it, she still doesn’t. It’s not something she wants to pry into.
    Lauren it turned out lives in Muddicombe like Jane, what’s more from a family that has lived in Muddicombe since before records began. She's therefore related to or knows everyone, and whatever Jane’s problem finds someone to deal with it. It’s like having an entrée to the local mafia.
    Jane tries to reciprocate by giving her small editorial jobs. Lauren has been in reception at Courtney Press ever since leaving school six years earlier and is desperate to move on.
    Yoghurt finished, Lauren pulls open a packet of prawn cocktail crisps and starts browsing on her phone.
    ‘Hey,’ she crunches. ‘This is interesting. You know that Rick Rockford? Rick the Rock. The lead singer of Minotaur. Quite hunky for someone that old.’
    Jane stares at her.
    Lauren, head down, carries on reading. ‘It says here that he’s retiring from life on the road and coming back to live in Devon. I must tell my gran that. I’m pretty certain she went to school with his mum. Did you know he came from Devon?’ She looks up.
    ‘Hey,’ she says. ‘Are you all right?’
    Tears are streaming down Jane’s face. She doesn’t know where they come from or why they’re suddenly here.
    ‘I’m not sure,’ she quavers.

2 comments:

  1. I love the way you lead us gently along with all sorts of character and plot development..Jane adapting to life in rural Devon ( love the vast car, horse and bottoms) .....how she's seen at work....contrast with her younger colleagues...white bread/organic spelt...and then suddenly bam she is back into her past with the mention of Rick's name...and coming back to Devon...everything going to change ... phew! Skillful, humorous and lovely sensory vivid writing. Xx

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  2. Trish - BIG thank you. It's so great that you understand what I'm getting at. Lots of loose ends hanging around at the moment - but I do promise that everything will be clear in the end. (The writing's going a bit slowly at the moment, what with one thing and another.) xx

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