Tom doesn’t fancy her either, she can tell.
‘So you’re the idiot who drove into that
snowdrift,’ he says with a raucous laugh.
Jane winces. ‘Er, yes. I’m afraid so.’
‘Well, you won’t get your car out tonight,’
he says, peeling off layers: a brown waxed jacket, a bottle-green checked shirt
with a quilted lining, an olive fleece. ‘The roads around here are icing over
something shocking and no one’s going to want to come out and help you. What
are you going to do?’
‘She could stay here,’ says Maisie, giving
her husband a look.
He’s silent for a few seconds but he’s
turned to his wife and has his back to Jane so she can’t see his expression.
The dogs watch intently. Jane wants to vanish through a crack in the
flagstones.
‘I could probably get her out in the
four-'b’-four,’ he says eventually.
He turns back to Jane. ‘Where d’you live?’
‘Near Muddicombe. I don’t think it’s too
far. It would be terribly kind of you. Maisie’s had me here all day and I
really don’t want to impose on her any longer. And my neighbour will be
wondering where I am . . . ’
She hears herself babbling and pulls up short.
Anyway, the last sentence is an invention.
She’s long suspected that William does watch her comings and goings – how else
does he always manage to turn up for drinks and nibbles fifteen minutes after
she arrives home? – but she doubts he goes as far as worrying about her.
But she’s desperate. The last thing she
wants is to spend the evening feeling like a lemon, getting in the way of a
happy couple. Even dragging Tom out again in such weather is preferable to
that.
‘Muddicombe,’ he exclaims. ‘That’s miles
away. What the hell were you doing up here in a blizzard?’
‘I, er, I –’ She can’t think of a single
excuse.
‘We could try taking her home,’ says
Maisie, rescuing the conversation. ‘I’ll come too.’
The
journey takes hours as Tom drives very slowly and carefully – not at all the
way she would have expected him to drive but perhaps it’s a sign of how bad the
conditions are. Jane sits in the back, gnawing her glove. No one tries to talk.
At last they reach the end of her track.
Jane opens her door and leans forward between Tom and Maisie. ‘I can walk from
here. Really. Just drop me here. It’s not far.’
‘If you’re sure,’ protests Tom
unconvincingly.
‘Give me a ring,’ says Maisie, turning
round. ‘We can have a walk together on the moor.’
‘I’d love that,’ says Jane. ‘I will.’
It feels like it’s the first time she’s
told the truth since Tom appeared.
‘If you arrange for someone to drag your
car out, they can leave it at ours for you to pick up when the snow’s gone,’
says Tom.
‘That’s so kind. Thank you so much. I’m so
grateful. That would be perfect. I’m so sorry to have been such a nuisance,’
says Jane, wanting to gag herself.
Clutching a piece of paper with their
address and telephone number, she jumps down from the vehicle and scurries off.
The
snowy fields light up the night. The track is a mixture of slush and puddles.
She jogs through them, not caring about splashes. She can’t wait to get home
and shed her embarrassment. She forgets to be frightened of being out alone in
the countryside after dark, and thinks instead of the red wine she’s
going to pour herself.
But
as soon as she pushes open the back door and enters her kitchen she’s hit by a
wave of darkness, so strong she can hardly stand. She grabs the nearest chair
and collapses on to it.
She tries to take deep breaths as as she’s
learnt in the odd yoga class she’s attended and as Sharon advised when Jane
told her about these attacks. ‘They won't kill you,’ Sharon said, but sometimes
that’s hard to believe.
Soon however she does feel slightly better,
less out of control, but the darkness is splintering into horrible visions.
She sees all the inconvenience, not to say
danger, she’s caused Maisie and Tom, two delightful, admirable, sensible
people. Without them she could well be dead by now. What was she thinking, driving off like that?
She sees her outburst at work and her toes
curl. She’s sixty for goodness sake, not an adolescent. Henry’s probably
wondering what sort of a nutter he employed. She'll probably never work again
in the publishing industry.
She sees herself at the party two days ago, vomiting into a bin and then flaked out on the floor. A disgrace. A disaster. An insult to
her new best friend Lauren, who’s shown her nothing but kindness over the last
five months. She remembers her rudeness to Lauren’s fiancĂ© Gavin. She
remembers lovely Joe the Taxi who’s now seen her wrecked twice out of their
last three encounters, if you count him picking her up after the walk. It makes
her feel sick again just thinking about it all.
She remembers taking nearly a whole week
off work because of a migraine.
She remembers the walk and what she saw at
the end of it, in the village shop.
She thinks of Maisie's rich life and compares it to her own – jobless, husbandless, future-less.
A
car stops and footsteps crunch up to the door.
Jane’s heart starts beating so erratically
that she feels faint. All she wants to do is creep out of the kitchen and
hide but she doesn’t know if she can manage to stand.
‘Janey,’ calls William’s voice. ‘Janey? Are
you there? I thought I saw you come home but your car’s not here and there are
no lights on in the house and . . . ’
The door starts to edge open. Jane pulls
her coat tightly around her. Perhaps he won’t see her in the dark.
‘Janey,’ exclaims William.
The door is completely open now and he’s
standing in the doorway framed against the security light, bringing with him
cold air and a scent of sandalwood soap. He’s wearing an old tweed jacket with
a white shirt that makes his teeth and eyes shine. He’s looking straight at
her.
To her horror, a sob escapes before she has
time to squash it.
He hurries towards her. ‘Janey! Whatever’s
the matter?’
Tears gush like oil from some newly tapped
well.
He puts his arm round her and, with a sense
of relief even greater than the one she feels when she has a migraine and can
finally get to bed and draw the duvet over her head, she leans against him.
‘Please,’
she whimpers. ‘Just do it.’
‘Janey, I can’t,’ says William, falling on
to his back away from her with a noise somewhere between a groan and a laugh.
‘Whyever not?’ she screeches. ‘I thought
that was all men cared about.’
‘Because you’re in too much of a state, and
I’m not a pig, whatever you might think about men in general,’ retorts William.
‘I’m not in a state. What sort of a state
d’you think I’m in? Why d’you think I’m in a state?’
No man has ever refused her before.
‘Because you keep crying, you daft female.’
‘I don’t,’ she sobs.
No man has ever called her a daft female
either.
‘Look,’ says William. ‘Why don’t we get up
and have some supper together. I’m sure that would do you a whole lot more good
than us lying here having an argument.’
‘We’re not arguing,’ she hiccups.
William sighs. ‘We could even go down to
the Merry Harriers and make a night of it. They do a mean cheesy potato pie and
sausages.’
He swings his legs over his side of Jane’s
bed and starts rummaging on the floor for his clothes.
‘I don’t eat meat,’ says Jane, watching him
out of the corner of her eye.
‘Just pie then,’ says William, buttoning up
his shirt. ‘It’s my birthday today, you know. I was going to ask you out
anyway.’
Riveting ... eating up every word...realised I was holding my breath most of the time! Jane's insecurity so painful....I like William more and more. Xx
ReplyDeleteTrish - I'm running out of ways to say thank you. You keep me going. xx
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