Autumn 1978
Ridge
Farm was five miles from Exeter, which seemed a terrifyingly long way to Jane,
who’d spent all three of her years at the University of Devon living in the
city, but nothing to Rick who when they first got together in January had been
renting a farm cottage ten miles from Exeter and two miles from the nearest
village.
In
any case they didn’t have a choice. Mrs Bell was the only landlady who didn’t
put the phone down on Jane when discovering that she and Rick weren’t married.
She hadn’t even asked.
They
drove out on Saturday in Rick’s blue wood-trimmed Mini - the Mini Clubman
he called it with his technician's precision - to take a look at the place.
They found the turning – eventually - but as they lurched up the rutted dirt
track Jane could see Rick frowning.
‘This’ll
play hell with the suspension,’ he said.
She didn’t know what would happen to them if Rick didn’t like the place.
They’d moved Rick out of his cottage at the beginning of March as his
housemates had all gone for one reason or another and he was paying four
people’s rent. He’d then camped at Jane’s student house which wasn’t ideal for
lots of reasons, the main one being that she’d had a sort of thing with Gordon,
one of the other residents.
The tenancy of that house finished in June at the end of the university term
and after that, for the last three months, they’d squatted in the box-room of a
house rented by Wendy with whom Rick had had a short romance. So that wasn’t
ideal either.
Most of their belongings and Rick’s cat, Cat, were distributed around the
houses of friends.
This
was the point at which she could have asked her father for help. There was
probably enough money floating around – whether in her name or not (he never
told her) - for her and Rick to put down at least the deposit on a house and
get a mortgage. Not that her father held with mortgages (they were for the
poor, like hire purchase) and not that she’d ever asked him for money or ever
would now, least of all for a project that involved Rick.
Rick
brightened however as they reached the top of the track and turned into a
cobbled farmyard with stone barns in varying states of disrepair. Jane could
see him already eyeing up a semi-enclosed space in the lower half of one of
them. She knew what he was thinking. Garage. Workshop. Somewhere to store
Stuff. He’d missed that since moving out of his cottage, which like this place
had been surrounded by near-derelict farm buildings.
Mrs
Bell came out of the farmhouse to greet them and Jane warmed to her at once.
Youngish with untidy blonde hair and a harassed expression, she was wearing
muddy wellies and a navy woollen jumper full of holes.
‘This
way,’ she said, leading them up some wooden steps on the outside of the barn
Rick had noticed. Jane glanced at him hoping they could exchange a thumbs-up or
something but he seemed to be deliberately looking away.
The
flat was on one floor with windows in two directions. Jane could see the
farmyard on one side and a field of sheep the other. Painted white, and open
plan except for the bathroom and two curtained-off bedrooms, it was furnished
in a mixture of modern pine and antique mahogany. It was more space than either
of them had ever rented.
‘I
think we like it,’ said Jane, looking at Rick for reassurance.
He
gave a shrug.
Was
that all he could say?
As usual
Jane was on her own, because Rick as usual had retired to the smaller of the
curtained-off bedrooms – the Music Room as it was now called. She could hear
him singing and playing the guitar.
She
put down her fountain pen and pulled the wheeled calor-gas heater closer to her
legs. As they’d discovered soon after they moved in and the weather turned, the
flat was freezing. The one heater was all they had but luckily Rick didn’t seem
to notice the cold so Jane could trawl it around with her like a dog.
She
was sitting at their mahogany dining-table writing to all the publishers listed
in the local Yellow Pages. She hadn’t known where to start looking for a job
but she liked reading and she now - by some fluke - had an arts degree (French
and Spanish), and she had all that secretarial experience from those two years
she worked in London (a time best forgotten, in her opinion) so maybe she and
publishing would be mutually compatible. She didn’t have a vocation. She never
had. That was the trouble.
She
would much rather be spending the evening curled up on the sofa with Rick but
time was short as the waitressing job that had kept her going over the summer
was coming to an end and anyway Rick didn’t seem to want to curl up on the sofa
with her any more.
Apart
from the snatches of music, all she could hear was the rumble of the fire and
the baaing of the sheep outside. Even though she’d been brought up in the
country, in Kent, she didn’t remember it ever being as quiet and lonely as
this.
She
could have gone to see Rick in the Music Room but she didn’t because, firstly,
there was no space. Rick had filled it with his equipment and Jane would know
all about that because she’d helped him hump it up the stairs.
One radio (‘an AM/FM tuner’ in Rick-speak). Six wooden boxes of assorted sizes
(‘speakers’). An ordinary guitar (a 'twelve-string acoustic’). An electric
guitar (made by Rick in his teens from an article in Practical
Electronics magazine). One small black box (an 'amp’, also made by
Rick). Two record players (‘decks’). One tape recorder (a 'tape deck’). One
cassette player. Two hundred records.
The
second reason she didn’t go into the Music Room was because whenever she did
Rick would stop what he was doing and look guilty, which made her feel even
worse. When did they start having secrets from each other? Why couldn’t he tell
her what was going on?
The
first thing he’d shared with her was his music. He used to put on record after
record and ask her what she thought of it. Luckily their tastes were pretty
similar. Both liked rock, blues and some classical. Neither liked jazz, Elvis
or the Rolling Stones. Rick liked folk whereas Jane preferred country but that
didn’t matter – they were happy to learn from each other. The only real
sticking point was Rick’s three absolute favourites, Jimi Hendrix, Led Zeppelin
and Pink Floyd, all three of which Jane thought were way over the top. ‘It’s
the only thing wrong with you,’ he used to joke. Or perhaps it wasn’t a joke.
The
curtains drew back with a rattle that made Jane jump and Rick appeared. In
spite of the cold, he was wearing a short-sleeved t-shirt, black with a red
dragon on the front. His wavy brown hair was getting longer, she noticed. It
was shoulder-length when she met him. Now it had reached his chest and hung in
curtains around his face, and for a moment she didn’t recognise him.
He
stood facing her, legs apart.
‘I’ve
been thinking,’ he said.
Jane
nodded. She couldn’t speak. Her throat had locked. Whatever he wanted she would
go along with it. Of course she would. Why did he have to look so defiant?
‘I
bumped into Dougie in Exeter a few days ago,’ he said cautiously, as if
softening whatever blow was about to fall.
Jane
nodded again.
She
knew about Dougie even though she’d never met him as he now worked in Bristol.
He and Rick had been best friends at South Molton grammar school. They’d formed
a duo and called themselves the Devonians and played folk-rock all over the
county, with Rick as singer and guitarist and Dougie on drums.
‘He’s
back from Bristol and working as a car salesman,’ Rick continued. ‘Hates it.’
Rick
wasn’t too keen on his job either. He was an electronics technician in a
science department at the university. It wasn’t the work itself that got him
down; it was the hierarchy and the stupid rules and the stuffy academics who
(like Jane’s parents) thought that people who worked with their hands were
inferior to people who worked with their heads. As if technicians didn’t use
their heads as well as their hands. Which, if anything as far as Jane could
work out, made them superior.
‘And
we were thinking,’ said Rick, ‘why didn’t we start a band again? Get some
others to join us, take it seriously. Really try and make a go of it this
time.’
So
that was it. It wasn’t so bad after all.
Was it?
Maybe now things could go back to the way they’d been before the summer.
Well, I'm hooked. Thank you! I'm loving the detail, the dialogue, Jane's inner world...building her character like tessellated tiles....and I'm so identifying with the late 1970s which you capture so amazingly well...and the story line...and the dramatic tension at the end of each chapter...makes me want more...hope there is lots of it! Xx
ReplyDeleteOh Trish, you understand so well what I'm trying to do. You make it worth carrying on. Thank you. Bx
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