‘Jane,’
says Jane’s mother like a sergeant-major, demanding attention as she always does. She
never says ‘Is this a good time?’ or ‘Have you got a moment?’ as other callers
do.
‘Yes,’ says Jane warily.
It’s 9am on Saturday morning, not her
mother’s normal time. She usually rings on Sunday evening about six, if Jane
hasn’t got there first – which she tries to do so as not to spend the
entire weekend dreading their conversation. Whatever her mother wants, it must
be urgent, and urgent isn’t good news as it tends to mean her mother’s coming
up from Kent to London and wants to meet.
'Jane,’ says her mother again, taking a
slurp of something.
At this time of day it’s probably coffee.
She’s always slurping something when she rings. Jane wonders if it’s because
she hates their conversations as much as Jane does and needs fortifying. If
only Jane had something to hand as well, but she’s this minute tumbled out
of bed and is standing in the kitchen in bare feet and her pink fleecy
dressing-gown, vulnerable and unfortified.
‘I’ve got some wonderful news for you,’
continues Jane’s mother.
Oh my god, thinks Jane. She’s getting
married again.
Since Jane’s father’s death her mother has
blossomed. She’s always rushing off somewhere – holidays, parties, bridge,
pilates, cultural coach trips. The last few years of Jane’s father’s life were
pretty grim as he became more and more incapacitated and her mother had to look
after him, and now she’s obviously making up for lost time. In some ways, Jane
is pleased. Both for her mother and because it’s heartening to think that she herself
could still be enjoying life like that when she reaches her eighties.
‘Ooh,’ says Jane, trying to sound excited
but her voice comes out more like a hiccup.
‘You remember my friend Lavinia Balfour? We
were debs together. Her mother was the Honourable Caroline Griffiths. Her
father was a judge, became a Lord. She married William Davenport, now Sir
William. They live in a lovely house
in the Cotswolds – very near Jilly Cooper.’
‘Er, no,’ says Jane.
Her mother has a vast network of friends
and acquaintances, all of the same type. It’s like a mafia. She never describes
them by their personal qualities but always by their family trees which Jane
finds baffling for so many reasons.
She herself has not the slightest interest
in family trees. They’re mostly concerned with the male line which to Jane is
retrograde and disgusting, and families in her experience are a handicap and
not at all something to hang on to or be proud of. She goes to the minimum of
family parties and then only out of duty and because she doesn’t want relatives
complaining about her behind her back – which they probably do anyway, but at
least her conscience is clear. Ish.
So when her mother starts to talk about her
friends and their pedigree, Jane switches off. In any case, most of her
mother’s friends are dreadful. Unfortunately her mother doesn't notice Jane’s distaste and simply redoubles her efforts to explain.
‘Well anyway,’ says her mother, obviously
in a hurry this time to get to the point, ‘we met again at a drinks party at
the Ponsonby-Smythes. D’you remember them? Their daughter is about the same age
as you. Went to Benenden. Married that Conservative MP. Whathisname? The
youngest son of the Duke of Essex. Their son is that famous photographer.
Jane has lost the thread. All she knows is
that she’s failed. She didn’t board at a girls’ public school. She didn’t marry
some scion of the aristocracy. She doesn’t have illustrious children.
She hears her mother take another slurp.
Perhaps she’s lost the thread too.
‘Lavinia Davenport,’ says Jane, thinking
back to when her mother’s conversation last made sense, not because she cares
about the wretched Lavinia but because she could be here all day if she doesn’t
prompt occasionally.
‘Ah yes,’ says her mother, coming to life
again. ‘Quite a coincidence. The Davenports were staying with the Pollocks. Very old family. Related to the
Viscounts Hanworth. Lived near us at the old house.'
Jane’s mother has recently moved from the
seven-bedroomed Victorian farmhouse where Jane and her younger brother Ollie were brought up to a small modern
place in a nearby village.
‘And?’ says Jane. She wants her coffee. What on earth did her mother
ring for?
‘So I told
Lavinia about you moving to Devon seeing as you’d be quite near –’
Well not really, thinks Jane. Devon -
Gloucestershire. Several hundred miles from each other. Several hours’ drive.
Thank goodness.
She’s accepted the job at Courtney Press,
given in her notice at work and put her flat on the market. And told her mother.
All she has to do now is find somewhere near Moreton Courtney to live. It’s
June and she has until the beginning of September when the new job starts.
She’s done some half-hearted property searches on the internet and bought a car
to help with the move, but hasn’t yet been down to Devon to look at anything.
It’s all a bit daunting. She doesn’t know what sort of place she wants or where
she wants it to be – in a village, a town, a city or the middle of nowhere.
‘- and she
said - actually it’s all rather exciting – that her son – William – a little
bit younger than you but not that much – and probably tall if his father’s
anything to go by – used to be in the army - was married to that glamorous
barrister Arabella Sotheby, the one who represents all those celebrities – but
divorced now, and a bit of a worry to the family I would say, reading between
the lines.’ She pauses for breath. ‘Anyway William looks after a family farm
and guess where it is.’
‘Um, Devon,’ says Jane.
‘Yes, but thassnot all,’ says her mother,
tripping over her tongue in her excitement. ‘It’s near Muddicombe.’
‘Muddy-cm,’
says Jane, copying her mother’s pronunciation. Whether that's how the locals
pronounce the word is anyone’s guess. The name means nothing to her.
‘Yes, Muddicombe,’ says her mother
impatiently. ‘Only a few miles from Moreton Courtney.’
Her mother’s obviously been doing her
research. She even claims to have met Henry and his wife at a dinner party
twenty years ago. Her memory for some things is phenomenal. For others, not
quite so good.
‘Right,’ says Jane.
Is her mother really lining up young
William as a husband for Jane? Does she really think Jane’s that
desperate? Is that all she’s called to say? She’s been thrusting suitable men
at Jane for almost fifty years and it hasn’t worked yet. You’d think she might
have got the message.
‘No, no, you don’t understand,’ says her
mother as if it’s Jane’s fault she hasn’t grasped the whole picture. ‘William
has a cottage for sale on the farm.
Lavinia’s given him a ring and he’s expecting you.’
Wonderful! The upper classes to a T - made me laugh out loud - thank you! xx
ReplyDeleteSo so glad I made you laugh and that you understand. Your comments keep me going. xx
ReplyDelete