Monday, 13 January 2020

Anger management


Frog and I have become involved in watching a Channel 4 programme called SAS: Who Dares Wins in which women and men who hope to join the SAS are put through gruelling physical and mental tests. Last night’s episode concentrated on aggression and anger - when to use them, when not to use them, and how to switch them on and off. I was riveted.

In my post ‘A solstice walk’ I wrote about how women aren’t supposed to be unhappy. In my experience they’re not allowed to be angry either. Of course we women do get angry, and in a lot of cases we have more right than men to do so, but because we have no way of expressing it we turn it against ourselves. And internalised anger is I think behind the migraines I’ve suffered for forty years.

My internalised anger is specifically against men. Of course I get angry with women too but that anger doesn’t last. Sometimes I can talk to the woman in question, sometimes she apologises, sometimes it just fades with time. But with men the anger festers. It never leaves me. I’m still having imaginary arguments with my father even though he’s been dead for a decade. And I think this is because the fight is unequal, because I have a sense of powerlessness, because I’m frightened of what will happen if I do fight back.

Almost every day it seems I come up against some man for some reason or other, and add to the load I carry.

There is the man who has set up a fencing business one field away from us. Whenever he sees me he finds something about me to criticise. I hate him for this, for his fences that are enclosing the hedges around here, trapping wild animals and me and defacing the countryside, and for the overflowing skip, concrete rubble, rolls of chicken wire, rusty metal gates and general litter lining the footpath opposite the gate to his yard that I walked past this morning.

Then on Friday there was the man who stopped Frog and me and told us we couldn’t walk on the Avalon marshes nature reserve to which we were headed, and for which we’d driven an hour and a half, because we had a dog with us. I did have an argument with him at the time, pointing out that according to the Ordnance Survey map I was holding in my hand the route in question was a long-distance public path. ‘Oh, we don’t bother with the map round here,’ he said. I’m still arguing with him too, in my head.

I used to campaign and I’ve always written – letters, articles, books. But I’m not sure that any of it was ever heard, or made a difference. And I certainly don’t feel any better. I do affirmations, I try to forgive. But I’m obviously not very good at either as nothing changes in me.

Perhaps I should take a leaf out of the book of one of Frog’s nieces who does weight training and can lift a heavy suitcase above her head. Or that of the woman in the programme last night who was made to box with one of the male recruits and in doing so healed some of the mental damage inflicted by a violent partner. She fought back. She landed a punch, and she was praised for it.

I’m fed up with this anger that comes between Frog and me. I’m fed up with migraines. I’m fed up with the world being run by and for men. But what’s to do about it? I’d love to know.

Saturday, 4 January 2020

Norway update: Högfeldt, Lidberg, Larsson and a vimpel


In the summer of 2018 Frog and I travelled to Norway, the land of my mother’s mother, to attend the seventy-fifth birthday of my aunt who lives there.
    When I was a child we used to travel there as a family every summer and in my teens I went there several times in both winter and summer to stay with relatives, but I hadn’t been back for nearly half a century.
    In my youth I took the country for granted but now I was bowled over by it – its natural beauty and wildness, the lack of commercialisation, the sense that here was a fairer and more egalitarian country than poor old Britain.
    Since then, having decided that Frog and I are too old and poor to emigrate, I’ve been grasping for any connection to that gorgeous land, in particular two Scandinavian artists Robert Högfeldt and Rolf Lidberg.

Robert Högfeldt and Rolf Lidberg

Högfeldt (1894-1986) was a Dutch/Swedish cartoonist, a print of whose hung in the family kitchen for as long as I can remember.
    Swedish Lidberg (1930-2005) is best known for his enchanting troll paintings, two small posters of which Frog and I had come across and bought long ago.
    With our new enthusiasm for all things Scandi, we began to hunt for proper prints of both artists but to date all we have found is two postcards, one of which arrived in the post this morning. So here they are.

First, one by Högfeldt entitled ‘Glädje och Sorg’. ‘Og’ is Norwegian for ‘and’, so ‘och’ may be the Swedish equivalent, which may mean that the other two words are names. Are they people Högfeldt knew, one wonders.

Scandinavian artists
'Gladje och Sorg' by Robert Hogfeldt

The card below (published 1984) is called ‘The Bookworm’ and is from a watercolour by Lidberg.

Scandinavian artists, troll paintings and children's books, Nordic folklore
'The Bookworm' by Rolf Lidberg

Judging by the delightful write-up on the back of the card, Lidberg was a much-loved man.



Scandinavian artists, troll paintings and children's books, Nordic folklore
The back of the Lidberg card

Carl Larsson


And while on the subject of Scandinavian artists, here are two cards from a box that my brother J found in my mother’s effects and gave to me. By the Swedish Carl Larsson (1853-1919), they are perfect portrayals of the relaxed prettiness of Scandinavian interiors, and remind me of my aunt’s house. The original watercolours can be seen in Stockholm’s Nationalmuseum.


Scandinavian artists, traditional Nordic interiors
'The Studio' by Carl Larsson
Scandinavian artists, traditional Nordic interiors
'Cosy Corner' by Carl Larsson
Incidentally, my aunt is now apparently plotting her eightieth-birthday celebrations. Whatever they are, I hope Frog and I are invited.


The vimpel

And here is the vimpel (the triangular version of the Norwegian flag which we discovered flying from so many houses during our visit), which Frog bought when we were in Norway and which is now flying proudly from our new flagpole.


A Norwegian 'vimpel' and our new flagpole 

Links

For more on our visit to Norway, click here.
For more on Högfeldt, click here.
For more on Lidberg, click here.  

Wednesday, 1 January 2020

The Banker's Niece 43: Rick's recording AUDIO VERSION

In the recording studio

Audio version

Thanks to Frog, here below is an audio version (speech and music) of Rick's recording in Chapter 43. Enjoy it - he's done a fantastic job!






Text version

Click here for the text version.

Music

Here are the details of the musical extracts.

‘Sweet Jane’ from Loaded (1970) by The Velvet Underground
‘Love minus zero’ (written by Bob Dylan, performed by the Walker Brothers) from Take It Easy with The Walker Brothers (1965)
‘Life’s been good’ from But Seriously Folks (1978) by Joe Walsh
‘Jealous guy’ from Imagine (1971) by John Lennon
‘Her father didn’t like me anyway’ from The Humblebums (1969) by the Humblebums
‘Love chronicles’ from Love Chronicles (1969) by Al Stewart
‘To see you’ from The Machine that Cried (1973) by String Driven Thing

Sunday, 22 December 2019

A solstice walk

The solstice


I always look forward to Christmas but when it actually happens I feel depressed. I know this seasonal lowness is shared by writer and creative writing teacher Roselle Angwin as she has mentioned it several times in her blog. That’s a brave thing to do as Christmas is of course ‘the season to be jolly’.
    Admitting to such feelings in general is a brave thing for women to do as they are not supposed to be miserable. ‘Cheer up. It’ll never happen,’ men used to shout at you if you passed with a long face. And one of the best things for me about Roselle’s workshops is that they are places where you can express all those deep dark feelings not usually allowed. Indeed at one weekend, I started crying on the Friday and hardly stopped until I left on Sunday afternoon.
    Having said all that, she posted a poem on Friday in which she writes of ‘a small light at the selvedge of the black woods’. What a lovely image and one which has inspired me to post some pictures of a walk by the sea that Frog, Dog and I took on that same day, 20 December.
    Whether it was the solstice I don’t know as the date seems to vary. According to Roselle’s poem, the sun stands still for three days, which would include the 20th, but that standing still is I suppose from our human point of view. After all, the sun doesn’t really stop or turn even though there has to be a point on its curve at which light begins to return.

The walk

As we climbed the cliffs all was grey. On the whole I don't mind grey. Sometimes I even love it. There are so many different sorts of grey - purple, yellow, pink, green. Sun streamed through a gap in the cloud on the horizon. It was early afternoon but we could have been watching a sunset.

Shades of grey, climbing the cliff

When we got to the top of the cliffs, the sun came out. We hadn't seen the sun for days and getting to the coast had been hair-raising. We'd gone on long detours to avoid floods and at one point considered turning back, worried that if it rained any more we wouldn't be able to get home later in the day. Thankfully we'd pressed on. The light was amazing and I had a moment of joy.

On top of the cliffs with the sun behind us

A less blurred view and a happy dog

We walked back through the undercliff. It's a narrow path and usually we are forever stopping to let other people squeeze past us. Today we met hardly anyone. (Before Christmas is often a good time to walk as people are busy shopping.) The wind had dropped and all was peaceful. I was transfixed by the texture of the sea.

The infinite texture of the sea


Tuesday, 26 November 2019

The Banker's Niece: List of music and books


Music

Chapter 5
‘I was made to love you’ from Dreamweaver (1976) by Gary Wright
Chapter 26
‘Love minus zero’ from Bringing it all Back Home (1965) by Bob Dylan
‘Ne me quitte pas’ performed by Nina Simone, written by Jacques Brel
Chapter 39
The Albion Band (1st album under that name, Rise up like the Sun, March 1978)
Electric Light Orchestra (ELO) (eg Out of the Blue, 1977)
Chapter 41
‘Today’ from Surrealistic Pillow (1967) by Jefferson Airplane
Chapter 43
‘Sweet Jane’ from Loaded (1970) by The Velvet Underground
‘Love minus zero’ (written by Bob Dylan, performed by the Walker Brothers) from Take It Easy with The Walker Brothers (1965)
‘Life’s been good’ from But Seriously Folks (1978) by Joe Walsh
‘Jealous guy’ from Imagine (1971) by John Lennon
‘Her father didn’t like me anyway’ from The Humblebums (1969) by the Humblebums
‘Love chronicles’ from Love Chronicles (1969) by Al Stewart
‘To see you’ from The Machine that Cried (1973) by String Driven Thing
Chapter 44
‘Never going back again’ from Rumours (1977) by Fleetwood Mac


Books (and tarot cards)

Chapter 1
Sharon uses a pack called Cosmic Tarot (1988) by the German artist Norbert Lősche
Chapter 2
(Mole and Badger are characters in) The Wind in the Willows (1908) by Kenneth Grahame
Chapter 14
The Magician’s Nephew (1955) in the Narnia series (1950-6) by C S Lewis
Chapter 16 
The Wind in the Willows (1908) by Kenneth Grahame
Chapter 22
(Gabriel Oak and Bathsheba are characters in) the film (1967) and book Far from the Madding Crowd (1874) by Thomas Hardy
Chapter 28
(Puddleglum is a character in) The Silver Chair (1953) in the Narnia series (1950-6) by C S Lewis
Chapter 30
(Mole/Moly is a character in) The Wind in the Willows (1908) by Kenneth Grahame
Chapter 31     
(Mr Darcy is a character in) Pride and Prejudice (1813) by Jane Austen
Chapter 33
(Hagrid is a character in) the Harry Potter series (1997-2007) by J K Rowling
Chapter 34
(Gabriel Oak is a character in) the film (1967) and book Far from the Madding Crowd (1874) by Thomas Hardy
Chapter 37
(The Heffalump Trap features in) Winnie-the-Pooh (1926) by A A Milne
(Strider is a character in) The Fellowship of the Ring (1954) in The Lord of the Rings series (1954-5) by J R R Tolkien